Page 431 - Proceedings Collega2023
P. 431

According to a study conducted by Ratna Fazlinda Anak Jelly and Zairul Anuar and titled "analysis
                  of movement and the role of women in the ritual of Boris, Bidayuh ethnicity," the Boris ritual is
                  one of the crucial aspects of the Bidayuh community's celebration of gratitude to the spirit of
                  Paddy. Additionally, it is carried out by dayung borih, Pinyigor, and Kitua gawai. Dayung Borih
                  was selected to perform the ceremony because she is a well-known woman. The purpose of the
                  ceremony is to express gratitude for the results achieved during the relevant year and to
                  guarantee a better harvest the following year. Because it is believed that dayung Borih are on
                  their way to Gunung Santubong from Gunung Singai, this ceremony typically takes between five
                  and seven days. Dayung Borih's duties include commemorating and honoring the Gawai
                  celebration.
                  Gawai

                         According to Nais (1989), the Bidayuh people's rituals and ceremonies are closely linked
                  to spirit worship. The traditional Bidayuh community holds the belief that evil spirits exist. First
                  and foremost, Dayung Borih would sing their Borih songs while seated on a wooden plank that
                  was hung from the ceiling of the Gawai house, or Bori Gawai. It took several nights to finish
                  those usually lengthy songs. The Dayung Borih then proceeded to ascend a ladder constructed
                  nearby the hut known as simutur one at a time. After that, they would continue dancing,
                  jumping up and down as their songs neared their climax. They would then pass out and faint,
                  but some of the men would be standing by, ready to catch them. Additionally, the Bidayuh held
                  the belief that these Dayung Borih's souls entered the spiritual realm when they fell
                  unconscious. The Kitua Gawai, also known as the head of the gawai, would utter chants in their
                  ear to rouse the women. The red plant known as bunga, which is an essential component of the
                  gawai ritual, will be placed next to the ladder in order to carry out this ritual. Bidayuh's belief is
                  that this plant has the power to transport Dayung Borih spirits to the spiritual realm. In addition,
                  the Bidayuh consider the bunga to be a sacred plant due to the belief that it was a spirit-given
                  gift.
                         According to the Gawai Dayak Festival article published by Tourism Malaysia, the festival
                  is held annually on June 1. It is also celebrated as a social and religious event. Gawai Dayak was
                  to accept turned into an image of solidarity yearning and trust and it was officially gazetted on
                  25th September 1964. The "Muai Antu Ru" ceremony, which means "to cast away the spirit of
                  greediness," kicks off the celebration on May
                         On the night of the gawai, two men or children carrying chapons typically pass each
                  family's room. The offering ceremony known as "miring" will then take place around 6 p.m.,
                  preceded by gendang rayah and ritual music. After that, at the stroke of midnight, a gong is
                  rung, and the tuai rumah will instruct everyone to consume Ai Pengayu, which translates to
                  "tuak" and means "long life." Last but not least, the gawai Dayak festival may last for several
                  days, during which time Dayaks will open their homes to visitors.
                  The Fan Theory

                         Richard Schechner was one of the most successful theatre artists in the field of drama
                  and theater. He is also a theater director, namely he is very famous for staging "Dionysus in 69"
                  in 1970 which was very controversial. In 2005, the production "Yokastas Redux" competed with
                  the Medea and Phaedra production to win the title of "Baddest Mom". Other than that, Richard
                  Schechner is also a theorist who works in changing the study and practice of theater producers.
                  He also contributed to the knowledge of sociology, religious rituals, anthropology, folklore and a
                  broad multi- cultural perspective on the main goal of presentation of scholarly works. From the
                  International Conference on Local Wisdom of the Malay Archipelago (COLLEGA 2023) Page - 418 -
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