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categorized using the basic format of an auditorium as cited in the literature review. The audience to
stage relationship was examined according to basic stage format as shown in Figure 2. The seating
arrangement would be categorized into respective types as shown in Figure 3.

4. FINDINGS AND DISCUSSIONS
4.1. Relationship between the auditorium design and performance structure in Sarawak Cultural
Village.
The auditorium format for SCV can be categorized as an end stage, as shown in Figure 4 and 5.
The seats are facing the double herringbone-shape stage. This is usually used in a small auditorium that
seats around 50 to 300 with a limit to 400 audiences. The stage is not in a separated space with fixed
seating arrangement. As for the audience to stage relationship, the stage can be classified as proscenium
and extended stage. The reason for the combination is due to the extended seating towards the side of
the stage as seen in Figure 4. Meanwhile, the seating arrangement in the auditorium is combined with
staggered and non-staggered seating. Despite the high viewing angle when using end stage and
proscenium stage, with it being extended, the stage visibility may experience unexpected and obstructed
sight lines (Ahmed & Islam, 2004). Some visitors in SCV also complained that they were unable to enjoy
the performance due to the uncomfortable seating (Siti Normaheram, 2014).

Figure 4
Sarawak Cultural Village Auditorium

Figure 5
Sarawak Cultural Village Layout (Plan view)

Stage

Audience

The cultural show at SCV utilized an anti-chronological dance performance. Based on the
observation, the performance structure of the cultural show functions at four distinct levels: tribal, state,

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