Page 583 - Proceedings Collega2023

Findings

The framework presented in Table 1 is derived from the synthesis of the set design production
reflective approaches. It is centered around the practitioner's involvement in the creative process of
Kopiah Putih & Gincu. To explore a research inquiry pertaining to the utilization of ergonomic principles in
the implementation of mobility and flexibility in theatre set design, the present study examines the key
findings derived from the practical experience of the Kopiah Putih & Gincu theatre touring production.
These findings shed light on the various factors and potential solutions associated with the
aforementioned characteristics in set design.

Source: (Authors 2023)
Set Design Process Production Requirements and Characteristics of
Contribution Factors
Set & Props Implementation
Practicability

Text Economical

Research Spatiality Portability

Ideas Time Flexibility

Execution Expenditure Materiality

Rehearsal Production Team Lightweight
Performance Safety

Aesthetics

Table 1: The Implementation of Set Design Process for

Theatre Touring Production Practices

Discussion and Recommendation
The intervention in the set design process and its characteristics have been summarized in order
to meet production requirements and contribute to elements such as text, spatiality, time, expense, and
the production team.

Text & Plot

The performance text employs societal satire to juxtapose the contrasting emblems of "Kopiah
Putih," (a white skullcap), and "Gincu," (crimson lipstick). The central narrative of the theatrical production
Kopiah Putih & Gincu is around a student hailing from the Hamas religious school, whose trajectory
suggests a potential inclination towards radicalization. The first reason for the issue can be attributed to

International Conference on Local Wisdom of the Malay Archipelago (COLLEGA 2023) Page - 570 -