Page 414 - Proceedings Collega2023
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Figure 1.23

               Movement Motif Analysis Based on the Sendayung Dance Song



                     Rebana Ibu       C    C    D    D   C    C    D    D     C    C    D    D   C    C    D    D

                     Gong             G            G            G             G



                                    4 Bit (Bar A)   4 Bit (Bar B)     4 Bit (Bar C)   4 Bit (Bar D)


                                               4 Bit (Set A)          4 Bit (Set B)

                                                          16 Bit (1 Set)

                                    MOTIF OF MOVEMENT POSITION OF HANDS AND FEET SENDAYUNG

                       BAR / SET      BAR A         BAR B         BAR C         BAR D
                        16 BIT          -       LENGGANG SISI   LENGGANG SISI   LENGGANG SISI
                        (1 SET)                   + LANGKAH      + LANGKAH    + LANGKAH
                                                  BERGANDA      BERGANDA      BERGANDA
                        16 BIT    LENGGANG SISI   LIMBAI TARIK +     LIMBAI TARIK +   LIMBAI TARIK +
                        ( 2SET)     + LANGKAH     LANGKAH        LANGKAH       LANGKAH
                                    BERGANDA     LOMPAT KUDA     LOMPAT KUDA   LOMPAT KUDA
                        16 BIT    LIMBAI TARIK +   LAYAR SIRIH +   LAYAR SIRIH +   LAYAR SIRIH +
                        (3 SET)     LANGKAH       BERJALAN       BERJALAN      BERJALAN
                                  LOMPAT KUDA
                        16 BIT     LAYAR SIRIH +   LIMBAI TARIK +     LIMBAI TARIK +   LIMBAI TARIK +
                        (4 SET)     BERJALAN      LANGKAH        LANGKAH       LANGKAH
                                                 LOMPAT KUDA     LOMPAT KUDA   LOMPAT KUDA
                        16 BIT    LIMBAI TARIK +   LIMBAI TARIK +   LIMBAI TARIK +   LIMBAI TARIK +
                        (5 SET)     LANGKAH       LANGKAH        LANGKAH       LANGKAH
                                  LOMPAT KUDA    LOMPAT KUDA   LOMPAT KUDA   LOMPAT KUDA
                        16 BIT    LIMBAI TARIK +   DAYUNG +      DAYUNG +    LAYAR SIRIH +
                        (6 SET)     LANGKAH        BERDIRI       BERDIRI     KIRAT PUSING
                                  LOMPAT KUDA
                        16 BIT     LAYAR SIRIH +   LENGGANG         -             -
                        (7 SET)    KIRAT PUSING   MENAPAK +
                                                   BERDIRI



                       Referring  to the  last  dance  in  the  Sendayung  Dance,  when  the  movement  motif  of  the  hand
               position, which is Limbai Menapak, and the movement motif of the foot position, which is Berdiri, have
               been performed, it marks the end of the Berjalan dance as a whole. But about the music continuing with
               the continuation of the instrumental song of Sendayung dance, the singing of Berjalan Songs will continue
               with dance movements based on the movement motifs that have been danced in Berjalan dance. Based
               on the continuous music from the Sendayung song, there are three parts of the song that need to be
               played with singing, namely Berjalan Ke Bilik Ayaq, Berjalan Ke Pintu Bilik, and Makan Pinang along with
               the stated dance movement motifs (Zamzuriah, 2022).



               International Conference on Local Wisdom of the Malay Archipelago (COLLEGA 2023) Page - 401 -
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