Page 196 - Proceedings Collega2023
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as A.Samad Said with his Lantai T.Pinkie (2006) and Usman Awang with his Uda dan Dara (2010). Both
               dramas are performed in Panggung Sari Istana Budaya to promote the space as a national theatre with a
               national identity.

                       There are performances related to Prime Ministers of Malaysia called Muzikal Perdana, such as
               Muzikal  Putra  (2007),  Muzikal Tun Abdul Razak (2009), and Muzikal Tun Mahathir (2010). The idea for
               performing Muzikal Perdana in Istana Budaya back in the day was to bring more new audience members
               to enjoy theatres in the space (Walid Ali et al., 2021). To accommodate more audience members to watch
               performances in the space, most local productions in Istana Budaya suit most Malaysians with different
               backgrounds, values, demographics, and ideologies.

                       Lambang Sari is a smaller space in Istana Budaya and works well with small-scale experimental
               productions. Most of the time, local productions prefer using the space with a smaller budget and press
               conference events. The space is a semi-arena theatre with 281 seats and 500 square metres. As a result,
               the productions will get high-quality equipment with a smaller space that will only accommodate up to
               281  seats.  Panggung  Sari  promotes  productions  that  are  suitable  for  general  viewers.  This  unwritten
               guideline corresponds to Lambang Sari since both spaces are under one roof.

                       Besides Istana Budaya, Panggung Bandaraya is one of the vital theatre spaces in Malaysia. Located
               in the heart of Kuala Lumpur, Malaysia's capital city, Panggung Bandaraya has offered great shows even
               though the performing space is smaller than Panggung Sari Istana Budaya. The stage is in the iconic old
               city  hall  of  Kuala  Lumpur  across  the  Merdeka  Square.  The  theatre  has  three  types  of  performances:
               traditional theatres, musicals, and realism plays. Panggung Bandaraya is a proscenium theatre space with
               more than 200 seats. However, productions that need a more intimate experience with the audience will
               be challenging in the space since the staging area and audience members are far away.

                       MUD: The Story of Kuala Lumpur (2014-2017) is the longest-running theatre show in Malaysia.
               Panggung Bandaraya is the vanue for the theatre. The show has been directed by three directors - Amsalan
               Doraisingam, Pat Ibrahim and Tiara Jacquelina. The production has been a popular tourist attraction in
               Kuala Lumpur. Many people come to watch the show since the performance is in the heart of Kuala
               Lumpur. Besides that, Panggung Bandaraya was a staging space for Semarak Bangsawan from 2007 until
               2016. Semarak Bangsawan event is proof that Panggung Bandaraya is suitable for traditional theatres.
               Many productions also perform the traditional theatre of Bangsawan, not for the Semarak Bangsawan
               event. Tickets for events in Panggung Bandaraya are cheaper than Istana Budaya due to the cheaper
               renting rates, and the space also provided a few stage equipment, the same as Istana Budaya.

                       Thus, the viewers are more diverse and may give more opportunities to lower-income audience
               members to watch the performances in the space in contrast to Istana Budaya, which has its dress code
               for audience members. It makes Istana Budaya always accustomed to elite viewers. The proscenium space
               of Panggung Bandaraya has a good depth and wings. The quality of the space has made productions who
               wanted to perform in the space explore to produce big theatre set designs. The technical elements make
               conventional mainstream theatre with a bigger budget; however, they cannot spend their money at Istana
               Budaya.  The  production  aims  for  the  space  are  similar  to  Istana  Budaya  but  on  a  smaller  scale  of
               production.


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