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locations  for  staging  more  experimental  theatres.  Researchers  are  experiencing  the  usage  of  public
               transport themselves to verify the accessibility of public transportation. All researchers are moving to four
               performing arts spaces using public transportation: Istana Budaya, Panggung Bandaraya, KLPAC, and DPAC.
               Thus, the research is also experiential. Directions for using public transport for the said locations are
               essential  to  map  the  public  transport.  Issues  from  the  mapping  will  be  studied.  Therefore,  location
               comparisons will also be part of the research findings to obtain more comprehensive study findings based
               on location mapping and further improve the national public transport access development planning for
               national arts and heritage.

               Shows and Their Audience Members

                       Each performing arts space has its audience members and suitable performance styles for the
               space. The quality of design and size of the space may be suitable for most theatre productions. For
               instance, a prominent theatre space with cutting-edge technology may suit a bigger audience and big-
               scale productions. In an intimate space, producing a big-scale performance will be challenging. Istana
               Budaya  is  Malaysia’s  National  Theatre.  The  status  is  significant  since  it  represents  the  Malaysian
               performing arts to the world.

                       Moreover, Istana Budaya has performing arts technology such as moving stages, high-end lighting,
               and stage depth, making the stage one of Malaysia's most enormous theatre spaces. Istana Budaya has
               two performing arts venues: Panggung Sari and Lambang Sari. Both spaces offer different sizes of shows.

                       Panggung Sari is a significant and luxurious theatre hall which has 1408 seats with three floors of
               seating. The space itself brings an exclusive atmosphere and affects the types of shows in the space. Thus,
               Panggung Sari can accommodate classic theatre performances and musicals such as the Phantom of the
               Opera and Puteri Gunung Ledang the Musical. The theatre space size is tremendous and extensive, making
               the space convenient for musicals that mostly have a bigger production size. Productions in the space also
               need to fully utilise the staging technology in Istana Budaya since the rent is expensive compared to the
               smaller  space.  On  that  account,  most  productions  in  Panggung  Sari  Istana  Budaya  have  different
               production types. They are musicals, national laureate plays, children's theatres, high-cost productions
               with spectacular scenography, internationally renowned productions, and traditional theatres.
                       Therefore, the right choice is to perform Puteri Gunung Ledang The Musical and Siti di Alam
               Fantasi in Panggung Sari Istana Budaya. Those two productions can fully utilise most of the technologies
               in the space. Moving stagings in Panggung Sari have been a critical factor in the success of spectacular
               elements in both productions. More lighting equipment benefits the productions, enhancing the Panggung
               Sari massive performing space. It will be difficult for both productions if they are performing their works
               in a smaller space with limited staging technologies.

                       Another critical factor to consider is the status of Istana Budaya as a national theatre for Malaysia.
               Productions in Istana Budaya must produce shows with high-quality works and promote local content. For
               this reason, traditional theatres are some productions that work very well with the space. Moreover, there
               are possibilities for Istana Budaya to get more audience members with bigger productions since more
               people will be involved in the marketing process. Some dramas were written by national laureates, such



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