Page 406 - Proceedings Collega2023
P. 406
GAMBANG DANCE MOVEMENT ANALYSIS
The Gambang dance will be followed after the Anak Menora dance with musical accompaniment
through instrumental Gambang songs without continuous singing in the same circle.
Figure 1.13
Motive Movements of Hand and Foot Positions Based on Vertical Perspective Through the Performance
Structure of Gambang Dance.
GAMBANG DANCE
HAND POSITION FOOT POSITION
DAUN SIRIH BERJALAN
LAYAR SIRIH BERJALAN
SUSUN SIRIH DUDUK LUTUT TUNGGAL
TELAPAK DUA DUDUK LUTUT TUNGGAL
LENGGANG MENAPAK DUDUK LUTUT TUNGGAL
LENGGANG MENAPAK BERJALAN (PUSING)
DAYUNG BERDIRI
LAYAR SIRIH KIRAT PUSING
LIMBAI MENAPAK BERDIRI
Based on Figure 1.13 is an arrangement and sequence of Gambang Dance movements after the
Anak Menora Dance movement is performed. After the movement motif of the hand position of Telapak
Dua with the movement motif of the foot position of Duduk Lutut Tunggal, the Gambang Dance begins
with the movement motif of the hand position of Daun Sirih and Layar Sirih along with the movement
motif of the foot position of Berjalan in a circle or spiral formation. Followed again with the movement
motif of Susun Sirih hand position and the motif of movement of the leg position of Duduk Lutut Tunggal.
The Gambang dance can be detected through specific hand and foot position movements, which
are the Daun Sirih and Layar Sirih hand position movement motifs, along with the movement of the
Berjalan foot position motifs. The dancer begins the dance by bringing both hands together in front of the
International Conference on Local Wisdom of the Malay Archipelago (COLLEGA 2023) Page - 393 -