Page 401 - Proceedings Collega2023
P. 401

Figure 1.7
               The Motives for the Movement of the Positions of the Hands and Feet Performed Based on a Vertical Perspective
               Through the Structure of the Anak Menora Dance Performance.

                                             ANAK MENORA DANCE

                                   HAND POSITION             FOOT POSITION


                                LENGGANG MENAPAK                BERDIRI

                                LENGGANG MELIMBAI             KIRAT PUSING


                                    LAYAR SIRIH           DUDUK LUTUT TUNGGAL

                                LENGGANG MENAPAK         LANGKAH SILANG SANGKUT


                                      DAYUNG                    BERJALAN

                                     LAYAR SIRIH          DUDUK LUTUT TUNGGAL


                                    SUSUN SIRIH           DUDUK LUTUT TUNGGAL


                                    TELAPAK DUA           DUDUK LUTUT TUNGGAL


                       Based on Figure 1.7 is an arrangement and sequence of movements of the Anak Menora Dance
               after the movement of the Puteri Mabuk Dance is performed. After the movement motif of the hand
               position Telapak Dua with the movement motif of the foot position Duduk Lutut Tunggal, the Dance of
               Anak Menora begins with the movement motif of the hand position Lenggang Menapak and Lenggang
               Melimbai along with the movement motif of the foot position Berdiri and Kirat Pusing Setempat. Followed
               again by the movement motifs of the hand position Layar Sirih, Susun Sirih, and Telapak Dua, along with
               the foot position Duduk Lutut Tunggal movement motif.

                       The Anak Menora dance can be traced through specific hand and foot position movements which
               are  the  movement  motifs  of  the  Limbai  Menapak  hand  position,  such  as  the  Puteri  Mabuk  dance
               movement and the Langkah Silang Sangkut foot position. The dancer starts the dance by raising the right
               hand in a curve with the palm up and four fingers pointing upwards while the left hand is straight at the
               side of the body with the movement of the hand position Cubit Kain on the side of the left thigh. While
               the dancer raises the right hand, the right foot moves and takes a step forward with the left foot suspended
               in front of the right foot with the movement motif of the foot position  Langkah Silang Sangkut. The
               movement  motif  for  the  position  of  the  hands  and  feet  will  change  alternately  right  and  left.  After
               completing the movement motif of the hand position Limbai Menapak on the right side is performed, then
               the movement motif of the hand position Limbai Menapak on the left is also performed alternately with
               the movement motif of the foot position Langkah Silang Sangkut.






               International Conference on Local Wisdom of the Malay Archipelago (COLLEGA 2023) Page - 388 -
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