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embodied experiences of the participants and how their perceptions and practices are shaped by these
experiences. Overall, this multi-faceted methodology combines elements of practice-led research,
qualitative data collection, and a phenomenological framework to gain a comprehensive understanding of
how art experts and non-art experts perceive and engage with the "NUR" installation, with a particular
emphasis on the philosophical aspects of human experience and perception.

5. Discussion

Creating installation art that integrates the Light and Space concept with Al-Ghazali's theory of
light within the context of a traditional Malay house can be a rich and transformative experience for both
artists and viewers. This combination provides a unique opportunity for artists to engage with philosophy,
architecture, culture, and spirituality in their art practice. Here's a discussion on how this fusion can
enhance art practice. Philosophical Depth: Incorporating Al-Ghazali's theory of light into art practice adds
a philosophical depth to the work. It encourages artists to delve into questions of perception, knowledge,
and enlightenment, which can influence the conceptual underpinnings of their art.

Conceptual Exploration of the Light and Space concept challenges artists to explore the
fundamental elements of art—light, colour, and space. Adapting this concept to a traditional Malay house
setting opens up possibilities for unique spatial and perceptual explorations, pushing artists to think
critically about their work's conceptual foundations. Cultural Context in art draws from traditional Malay
architecture and culture enriches the artist's understanding of their own heritage. It encourages a deeper
exploration of cultural symbolism, historical significance, and the ways in which art can serve as a bridge
between tradition and contemporary expression. Architectural integration of the traditional Malay house's
architectural elements, such as wooden structures and intricate carvings, provide artists with an array of
materials and forms to incorporate into their installations. This integration challenges artists to work with
and adapt to existing architectural constraints creatively. Incorporating interactivity into the installation
art can deepen the artist's engagement with their practice. Artists can explore how viewers interact with
and respond to their work, allowing for iterative improvements and a more dynamic artistic process.
Spiritual exploration in adapting Al-Ghazali's theory of light can prompt artists to reflect on the spiritual
aspects of their art practice. It invites questions about the role of art in facilitating spiritual experiences
and personal growth. Cross-Cultural dialogue engaging with different cultural and philosophical traditions
in the artistic process fosters cross-cultural dialogue and understanding. This exposure can lead to new
perspectives and insights that enrich the artist's practice.

Preservation in Traditions as a artists adapt traditional elements into contemporary installations,
they play a role in preserving and revitalizing cultural and architectural traditions. This practice can be seen
as a form of cultural conservation and renewal. Yet, conceptual evolution while the synthesis of the Light
and Space concept, Al-Ghazali's theory of light, and traditional Malay house elements can lead to the
evolution of an artist's conceptual framework. It encourages experimentation, innovation, and the
development of a unique artistic voice.

In conclusion, creating installation art that combines the Light and Space concept with Al-Ghazali's
theory of light within a traditional Malay house setting can significantly enhance an artist's practice in
research. It encourages deeper philosophical exploration, cultural connection, and the development of a
multisensory and immersive artistic experience. Such a fusion serves as a testament to the power of art
to transcend boundaries and inspire meaningful engagement with both the physical and spiritual realms.

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